The Hong Kong Arts Festival Asia Pacific Dance Platform IX was an evening that raised the frequently asked question about what kind of...

Dancer: Ivy Amista, Osiel Gouneo Photo: Wilfried Hösl Despite or maybe because of its seeming absurdity, La Bayadere, in both its literal (libretto) and figurative incantations, has often been political theatre. As Christina Ezrahi recounts in Swans of the Kremlin, the Soviets took issue with the Kingdom of the Shades scene – soulless, bourgeois formalism according to the politburo. If once the Shades scene was an act of subversion, today its depictions of the orient have com

Photo: Robert Benschop Sometimes an impeccably joyful and engaging yet simple idea or rationale can spring from a dance show. Netherlands...

Allegro Brillante, Choreographer: George Balanchine; Dancers: Carl van Godtsenhoven, Flemming Puthenpurayil, Francesco Leonep Photo:...

文 Text: 白朗唐 Tom Brown 翻譯 Translation: Raven Ching Works & Process Rotunda Project: Michelle Dorrance with Nicholas Van Young, 16 February 2017, Solomon R. Guggenheim Museum Rotunda. Photo: Matthew Murphy 米雪﹒多蘭斯 當你的雙親分別是前艾略特﹒費爾德美國舞團舞蹈員兼著名教堂山芭蕾舞學校的創辦人蜜莉絲﹒加里﹒多蘭斯（M’Liss Gary Dorrance），以及獲推選而名列美國國家足球名人堂、帶領美國女足國家隊奪得1991年世界盃的教練安遜﹒多蘭斯（Anson Dorrance），你該如何擺脫他們的光環呢？米雪﹒多蘭斯用雙腳踢與踏。2011年，她憑著為自己的舞團—多蘭斯舞團首個作品《Remember Jimmy》及《Three to One》取下的貝絲獎，助她綻露光芒。獎項表揚她「衝破我們對踏躂舞的想像」。引文《紐約時報》恰切的描述：「自30年

Photo: Christopher Duggan When I took my seat in the Lyric Theatre to watch ETM: Double Down, I knew exactly what I was in for –...