![[ENG][中]Dance en Scene – Rethinking regional collaboration and connection in the pandemic era](https://static.wixstatic.com/media/c614b8_eaffb2b39c6f4b70bf2b476dd6fbf706~mv2.jpg/v1/fill/w_444,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/c614b8_eaffb2b39c6f4b70bf2b476dd6fbf706~mv2.webp)
![[ENG][中]Dance en Scene – Rethinking regional collaboration and connection in the pandemic era](https://static.wixstatic.com/media/c614b8_eaffb2b39c6f4b70bf2b476dd6fbf706~mv2.jpg/v1/fill/w_343,h_193,fp_0.50_0.50,q_90,enc_avif,quality_auto/c614b8_eaffb2b39c6f4b70bf2b476dd6fbf706~mv2.webp)
[ENG][中]Dance en Scene – Rethinking regional collaboration and connection in the pandemic era
Text: Iris Cheung Dance film—a coming together of two art forms—empowers dance artists and filmmakers alike to rethink movements and transform storytelling. While this hybrid form has been around for decades, it has garnered greater exposure, understanding, and knowledge from dance artists, filmmakers, and audiences in Asia during the pandemic. As a Programmer at Esplanade – Theatres on the bay (Singapore) , I was excited to be involved in one such “creation”—Dance en Scene—a

