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[ENG] Review of in-between love
in-between love is a dance performance presented by Siu Lung Fung Dance Theater (SLFDT). The dance tells the story of a man and a woman, per
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[中]《炫創者4》:「炫」有餘,「創」不足
東邊舞蹈團的「炫創者」系列已經進行四年有餘,筆者去年十二月中的周末午後去到牛池灣文娛中心,欣賞此系列第四場演出中六位年輕編舞的創作。六齣短作品有獨舞,有雙人舞以及群舞,內容與架構多元,卻都意欲呼應主題中「炫目」與「創意」這兩個概念。演出雖說算不上大製作,卻足以從中見出本地舞壇的生
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[ENG] NEXT on 8/F Platform
Five creative dance pieces from Korea, Israel, Guangzhou, Taiwan and Hong Kong were presented in two programmes in December 2018, under the
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[ENG] Rolling in the Hope of Fate
In early November of 2018, a series of images with a huge silvery ball popped up in social media and caught my eyes. This series was the pro
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[中] 評《跌宕》
一群穿着統一而簡約西裝的舞者,在完全沒有道具和佈景的舞台上,舞者和音樂就成為了主角。
韓文Jangdan可翻譯為「長短」,也有節奏之意。在金在德所編導的舞蹈與音樂中,舞者的身體是柔軟的,線條不斷流動而圓滑,按着音樂的韻律旋轉、擺動,但動作間卻滲出澎湃的爆炸力和彈性。三十分鐘行雲
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[中]大館舞蹈季引發的幾點思考
2018年正式開幕的大館,為香港藝文地圖增加了不少的活動和場地可能性,在九月底至十月底看了大館舉行的舞蹈季,叫我思考到場地運用及對創作發展的影響。
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[中]反覆不斷的內心掙扎腦交戰 談《Lördagsgodis》與《Moha》
旨在為新一代編舞家提供專業表演平台的「舞蹈新鮮人」系列,今年九月份演出的最新節目,帶來兩位同樣畢業於香港演藝學院舞蹈學院的年青編舞——陳曉玲與莫嫣之最新中篇舞蹈創作《Lördagsgodis》及《Moha》。無獨有偶,兩支作品皆用上冷門外文名字為題,似乎是想把直指人心的內容,以名
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[中]「幻」所未盡處——《幻之森》的欺騙性與舞台空間想像
幻象分引發聯想和純粹視覺刺激,前者需要觀眾積極參與,後者則是追求瞬間炫人眼目。觀眾必須投入聯想過程,否則帶給觀眾的「新視野」,不過是新奇的光影與精巧能動的舞台設計。《幻之森》的英文《Tree of Codes》,與中文譯名《幻之森》意思稍為不同。《Tree of Codes》除了
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[ENG] World Class Extravaganza – Zaguán & Alento by Ballet Nacional de España
A gorgeous and dazzling premiere of Zaguán & Alento presented by the Ballet Nacional de España (Spanish National Ballet, hereafter as BN
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[ENG] Rethinking the positioning of New Force in Motion Series
Hong Kong Dance Alliance produced a double bill programme again under the New Force in Motion (NFiM) Series, with Gabbie Chan’s Lördagsgodis

