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![[ENG] An informative performance, but what remained unsaid?](https://static.wixstatic.com/media/eafaa9_65d9d3c6f4e249b0b75d090999e812b7~mv2.jpg/v1/fill/w_343,h_193,fp_0.50_0.50,q_90,enc_avif,quality_auto/eafaa9_65d9d3c6f4e249b0b75d090999e812b7~mv2.webp)
[ENG] An informative performance, but what remained unsaid?
From Starting to Cut the Wood; Concept: Katie Engel in collaboration with the artistic team; Performer: Ari Ersandi; Photo: Faozan Rizal...
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[中] 《偉大馴服者》— 用魔幻來繪畫時間
《偉大馴服者》;導演:廸米特里斯.帕派約安努;攝影:Julian Mommert 2017年《偉大馴服者》(The Great Tamer) 於法國亞維儂藝術節(Festival d'Avignon)首演,那種以強大的視覺幻象導引出人文關懷內容,說它震撼了整個歐洲表演藝術界...
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![[ENG] A Tap Dance Musical — Entertainment for All](https://static.wixstatic.com/media/eafaa9_7dfee8e21c624f2ba6429aaf40c236e5~mv2_d_5120_3413_s_4_2.jpg/v1/fill/w_343,h_229,fp_0.50_0.50,q_90,enc_avif,quality_auto/eafaa9_7dfee8e21c624f2ba6429aaf40c236e5~mv2_d_5120_3413_s_4_2.webp)
[ENG] A Tap Dance Musical — Entertainment for All
Brothers & Sisters Tap on Fire by Rhythm & Tempo; Choreographer: Ken Kwok; Dancers (from left): Ling Tse, Ken Kwok (back), Shek Wai Lam...
![[中][ENG] 與常肖妮談舞蹈創作與教學
Interview with Chang Xiaoni about Choreography and Dance Education](https://static.wixstatic.com/media/eafaa9_2635ba8c5f0a45bab9f2fbc44441617e~mv2_d_2320_1741_s_2.jpg/v1/fill/w_334,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/eafaa9_2635ba8c5f0a45bab9f2fbc44441617e~mv2_d_2320_1741_s_2.webp)
![[中][ENG] 與常肖妮談舞蹈創作與教學
Interview with Chang Xiaoni about Choreography and Dance Education](https://static.wixstatic.com/media/eafaa9_2635ba8c5f0a45bab9f2fbc44441617e~mv2_d_2320_1741_s_2.jpg/v1/fill/w_343,h_257,fp_0.50_0.50,q_90,enc_avif,quality_auto/eafaa9_2635ba8c5f0a45bab9f2fbc44441617e~mv2_d_2320_1741_s_2.webp)
[中][ENG] 與常肖妮談舞蹈創作與教學 Interview with Chang Xiaoni about Choreography and Dance Education
常肖妮 Chang Xiaoni (北京 Beijing); 照片由香港藝術節提供 Photo provided by Hong Kong Arts Festival 陳瑋鑫 William Chan 今年香港藝術節「香港賽馬會當代舞蹈平台」,邀請了來自北京的編舞常肖妮,把...
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記香港藝術節加料演出《舞城遊蹤》](https://static.wixstatic.com/media/eafaa9_85a5294f43cb489a976411dd1557f63d~mv2_d_3952_2635_s_4_2.jpg/v1/fill/w_374,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/eafaa9_85a5294f43cb489a976411dd1557f63d~mv2_d_3952_2635_s_4_2.webp)
![[中] 上上落落、過大街、穿小巷 —
記香港藝術節加料演出《舞城遊蹤》](https://static.wixstatic.com/media/eafaa9_85a5294f43cb489a976411dd1557f63d~mv2_d_3952_2635_s_4_2.jpg/v1/fill/w_343,h_229,fp_0.50_0.50,q_90,enc_avif,quality_auto/eafaa9_85a5294f43cb489a976411dd1557f63d~mv2_d_3952_2635_s_4_2.webp)
[中] 上上落落、過大街、穿小巷 — 記香港藝術節加料演出《舞城遊蹤》
今年香港藝術節有不少有趣演出,其中《舞城遊蹤》(Choreography Walk)就是一例。這個由擅於把日常生活動態轉化成舞蹈的加拿大藝術家賈絲汀.A.錢伯斯(Justine A. Chambers),聯同其跨媒介製作人丈夫喬希.海特(Josh...
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──淺評《岌岌可危》](https://static.wixstatic.com/media/eafaa9_f208885914a84882b594b06aaf76eba4~mv2_d_5000_3333_s_4_2.jpg/v1/fill/w_374,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/eafaa9_f208885914a84882b594b06aaf76eba4~mv2_d_5000_3333_s_4_2.webp)
![[中] 「𪘬齴」作為方法
──淺評《岌岌可危》](https://static.wixstatic.com/media/eafaa9_f208885914a84882b594b06aaf76eba4~mv2_d_5000_3333_s_4_2.jpg/v1/fill/w_343,h_229,fp_0.50_0.50,q_90,enc_avif,quality_auto/eafaa9_f208885914a84882b594b06aaf76eba4~mv2_d_5000_3333_s_4_2.webp)
[中] 「𪘬齴」作為方法 ──淺評《岌岌可危》
標榜為「香港本土90後表演藝術團體」的Voy Arts Ensemble 旅藝團(下稱:Voy),成立雖短短幾年,但見其活躍的程度,也恰好證明這是一個充滿活力的藝術團體。Voy一直熱衷於與不同領域和各類型的藝術家、編舞合作,而他們尤以舞蹈表演為主。而最近Voy邀得前城巿當代...
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[中]舞知之孜:藝術家作為評論人:舞蹈訓練、神經科學及審美評鑑
舞知之孜 藝術家作為評論人:舞蹈訓練、神經科學及審美評鑑 到底接受過舞蹈訓練的內行人會否更能夠全面地欣賞舞蹈呢? Barbara Gail Montero指有舞蹈訓練背景的人觀賞舞蹈時,身體似乎有種內在共鳴(internal...
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![[中] 街道消失了,如何舞下去?—看《THE BOX- Street Style Lab》有感](https://static.wixstatic.com/media/eafaa9_0253289cfb934205942520e932287f74~mv2_d_4016_6024_s_4_2.jpg/v1/fill/w_343,h_515,fp_0.50_0.50,q_90,enc_avif,quality_auto/eafaa9_0253289cfb934205942520e932287f74~mv2_d_4016_6024_s_4_2.webp)
[中] 街道消失了,如何舞下去?—看《THE BOX- Street Style Lab》有感
街舞是一種能體現街頭文化的舞蹈,是城市風景的一種。舞者在街上排練,旁人駐足而觀,被舞者忘我投入的舞姿吸引,愈看愈熱血沸騰,更有加入一起熱舞的衝動。這次街舞走入劇場,就像混合了街舞元素的當代舞,作品內容思想深化,少了乾脆,添了巧思,此消彼長。整體來說,演出是出乎意料地好看,...
![[ENG] Dancing the Battle of Chulocock: Yang Yuntao’s dramatic choreography for Calming the Chaotic S](https://static.wixstatic.com/media/eafaa9_d4c0576d8b994c1fab3168f8af2bf3bc~mv2_d_2880_1920_s_2.jpg/v1/fill/w_374,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/eafaa9_d4c0576d8b994c1fab3168f8af2bf3bc~mv2_d_2880_1920_s_2.webp)
![[ENG] Dancing the Battle of Chulocock: Yang Yuntao’s dramatic choreography for Calming the Chaotic S](https://static.wixstatic.com/media/eafaa9_d4c0576d8b994c1fab3168f8af2bf3bc~mv2_d_2880_1920_s_2.jpg/v1/fill/w_343,h_229,fp_0.50_0.50,q_90,enc_avif,quality_auto/eafaa9_d4c0576d8b994c1fab3168f8af2bf3bc~mv2_d_2880_1920_s_2.webp)
[ENG] Dancing the Battle of Chulocock: Yang Yuntao’s dramatic choreography for Calming the Chaotic S
Calming the Chaotic Seas; Playwright: Mandu; Choreographer: Yang Yuntao; Actors and actress (from left): Christopher Ying, Pak Ching...
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[中] 《大亨小傳》編排精細手法流暢
《大亨小傳》是香港芭蕾舞團的藝術總監衛承天八年前在美國華盛頓芭蕾舞團時的創作,取材費茲傑羅的「大美國小說」,《大亨小傳》反映了新舊經濟帶來的衝擊、社會與道德價值的瓦解,以及人們對空虛享樂的盲目追求。此作人物多、關係亦複雜,衛承天流暢的編排和清晰的處理手法,把複雜的人物關係有...



