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![[中] 沙啞的叫喊是烏鴉—評CCDC《恐·集》](https://static.wixstatic.com/media/b691b5_d364c78e288841c7a919be18e1eb6925~mv2.png/v1/fill/w_343,h_228,fp_0.50_0.50,q_95,enc_avif,quality_auto/b691b5_d364c78e288841c7a919be18e1eb6925~mv2.webp)
[中] 沙啞的叫喊是烏鴉—評CCDC《恐·集》
攝:Mark Lam 《恐·集》是CCDC舞者黃振邦的首部長篇作品。 藉電影《一代宗師》中將武學分為「見自己、見天地、見眾生」的概念,他將自己的新作《恐·集》定位於「見天地」的階段。《恐·集》的英文題目是《Why Not Kill Us...
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[中] 馴暴的修行 — 談黃振邦舞作《恐‧集》
圖:Terence Lau 看黃振邦為城市當代舞蹈團編的舞作《恐‧集》首演的前四天,電視螢幕傳來大新聞,在英國曼徹斯特市體育館,於當地時間22時33分發生了獨狼自殺式恐怖襲擊,致使23人在爆炸中身亡,超過100人受傷。 恐懼是暴力的後果。亦有人說,恐懼是暴力的根源。這惱人的...
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[ENG] MUSIC AND DANCE: INDEPENDENCE, INTERDEPENDENCE, AND DEPENDENCE
The Lyric Theatre Complex, the main dance house of the West Kowloon Cultural Authority (WKCDA), with its three theatres of 1450, 600, and...
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[中] 尋找快樂的森林—陳頴業的《大娛大慾》
中國人最講究「排場」。無論是喜宴、百日宴、英雄宴,還是家中有一件小喜訊,中國人也喜歡大排筵席,大魚大肉慶祝一番。可是,二十一世紀的香港總是急促忙碌,香港人忙得連聚首一堂的時間也沒有,快樂又從何來?大魚大肉又何以變成了《大娛大慾》?...
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[中] 我看「共創實驗室」
由香港舞蹈聯盟(舞盟)主辦,創作人黃大徽主持及策劃的「共創實驗室」計劃(Collaborative Creative lab),於今年一月連續三個星期,以城市當代舞蹈團舞蹈中心地下的賽馬會舞蹈小劇場為基地,讓14位從事舞蹈或表演藝術創作的朋友,開放自己,相互交流,啟發學習,...
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[ENG] Cecilia’s Rhapsody
The Hong Kong Jockey Club Contemporary Dance Series (CDS), produced by the Hong Kong Arts Festival, has come to its sixth year. It is a...
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[中][ENG] 舞跡可尋 In Search of a Dance Story
柳廣成作品 Lau Kwong Shing’s work 有別於一般舞蹈漫畫,沒有框框,也沒有特定的閱讀次序。 Unlike conventional dance comics, Shing Shing choreographic comics have no frames...
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[中] 思考藝術如何介入現實
表演者:(左起) 梁天尺、李振宇、黎貴諾、潘振濠;攝:張志偉 單單見過演出海報後,我已約略猜到「多空間」新作《房一房二房叉防》是一部極盡嬉笑怒罵之能事的作品。不過,當我欣賞這部在香港回歸二十周年之際創作的體驗式舞蹈劇場作品時,仍驚訝於編者不走尋常路的創作野心。...
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[中][ENG] 放眼舞林 An Eye on Dance
Tanzquartier Wien, On Truth and Lie in an... by Peter Stamer (Denmark), Frank Willens (Denmark/United States); Photo: eSeL...
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[中]《Re:do》—形式之上
李偉能、邱加希《From Formation》;攝:Jesse Clockwork 比起李偉能與邱加希各自於節目重演一個舞蹈,《Re:do》以在劇場界少有的眾籌方式來營運,更能成為一個話題,讓業內人士繼續討論表演藝術的製作模式發展。至於作品,二人各自重演獨舞再後加一段新作雙...



