dance journal/hk 舞蹈手札

[中][Eng] 放眼舞林 An Eye On Dance

1. 左至右）郭瑞文（新加坡舞人舞團藝術總監）、陳頌瑛、卓子豪及吳覓（舞人舞團舞者及香港演藝學院校友） T.H.E Dance Company (Singapore) performed at the Yokohama Dance Collection. (Left to...

[Eng] Spectacular Closing of 2016 Hong Kong Arts Festival

This year’s Hong Kong Arts Festival closed spectacularly with an exciting performance of The Sleeping Beauty danced by the Mikhailovsky...

[中] 像在獨白某些故事 — 評《三拾以後》

「續舞」系列可以說是「舞蹈新鮮人」的延續篇。曾經的三位「舞蹈新鮮人」許俊傑、郭曉靈、黃靜婷十年後重新聚首，以「跳舞，是為了甚麼？」的詰問開啟了《三拾以後》的旅程。空間重塑關係燈光刻劃時間相對於日常的劇場觀賞感受，今次《三拾以後》的場景佈置對觀眾來說無疑有趣得多。甫進...

[Eng] Gestalt and Undefinable Unity

Gestalt, choreographed by Jacky Yu and presented by E-side Dance Company, is a contemporary dance that aims to express the possibilities...

[Eng] Tap Dance as Narrative Language – R&T (Rhythm & Tempo) Office Mad Man

“Why do people have to work five days a week? … Should we not seize the day to enjoy our lives? … Do you like your current job and...

[中]「舞轉人生」— 甚麼造就了你？

「What's become of you？」意思是「甚麼造就了你？」比較起中文譯名《舞轉人生》來得更直接了當、不造作，正好與佛蘭明高舞蹈表現形式相同。西班牙佛蘭明高舞蹈在香港是較為冷門的舞種，今年第四十四屆香港藝術節為大家帶來有別於去年節目《星耀佛蘭明高》的傳統演繹，把佛...

[中]《炫舞場》在呈現甚麼？

很多朋友看完香港藝術節的本地製作《炫舞場》後，不期然會將電影《狂舞派》來做比較，更有朋友認為，舞台劇版本的故事情節老套，描寫角色內心層面不夠豐富。個人認為，《狂舞派》其實與「為跳舞，你可以去到幾盡？」毫無關係，電影劇本最大的命題其實是「青春的傷痕不是用來給人恥笑的」。所以，...

[Eng] Interview with Dr Alys Longley

1. During the discussion among Dr Alys Longley, Brenton Surgenor and dancers. Dancer, choreographer, writer, practice led researcher,...

[Eng] Asia Pacific Dance Platform VIII

For this year’s Asia Pacific Dance Platform VIII, the Hong Kong Arts Festival brought two fairly minimalist works of dance together: The...

[中] 盧偉力評《墨香》及《零次方》

天人合一，情感互通 – 說《墨香》韓國國家舞蹈團的《墨香》，體現了韓國文化對傳統的尊重。一小時的演出，台上台下渾融一片，感念周游，心神飄蕩。我不大熟悉韓國傳統文化，對韓國舞蹈，也只看過韓劇《黃真伊》，講這位舞者歷盡無數磨難後，終於如乾枯的花朵落在盛水盤上，感悟、重開。為...