![[Eng] Spectacular Closing of 2016 Hong Kong Arts Festival](https://static.wixstatic.com/media/72e60c_bcc6f84d19794b248e309e81897fdc80.jpg/v1/fill/w_374,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/72e60c_bcc6f84d19794b248e309e81897fdc80.webp)
![[Eng] Spectacular Closing of 2016 Hong Kong Arts Festival](https://static.wixstatic.com/media/72e60c_bcc6f84d19794b248e309e81897fdc80.jpg/v1/fill/w_343,h_229,fp_0.50_0.50,q_90,enc_avif,quality_auto/72e60c_bcc6f84d19794b248e309e81897fdc80.webp)
[Eng] Spectacular Closing of 2016 Hong Kong Arts Festival
This year’s Hong Kong Arts Festival closed spectacularly with an exciting performance of The Sleeping Beauty danced by the Mikhailovsky...
![[中] 像在獨白某些故事 — 評《三拾以後》](https://static.wixstatic.com/media/72e60c_ad57d6fb4f8d4f5da9713e502047bc0a.jpg/v1/fill/w_374,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/72e60c_ad57d6fb4f8d4f5da9713e502047bc0a.webp)
![[中] 像在獨白某些故事 — 評《三拾以後》](https://static.wixstatic.com/media/72e60c_ad57d6fb4f8d4f5da9713e502047bc0a.jpg/v1/fill/w_343,h_229,fp_0.50_0.50,q_90,enc_avif,quality_auto/72e60c_ad57d6fb4f8d4f5da9713e502047bc0a.webp)
[中] 像在獨白某些故事 — 評《三拾以後》
「續舞」系列可以說是「舞蹈新鮮人」的延續篇。曾經的三位「舞蹈新鮮人」許俊傑、郭曉靈、黃靜婷十年後重新聚首,以「跳舞,是為了甚麼?」的詰問開啟了《三拾以後》的旅程。 空間重塑關係 燈光刻劃時間 相對於日常的劇場觀賞感受,今次《三拾以後》的場景佈置對觀眾來說無疑有趣得多。甫進...
![[Eng] Gestalt and Undefinable Unity](https://static.wixstatic.com/media/72e60c_e02000bf44674fda88d87816446f6f13.jpg/v1/fill/w_374,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/72e60c_e02000bf44674fda88d87816446f6f13.webp)
![[Eng] Gestalt and Undefinable Unity](https://static.wixstatic.com/media/72e60c_e02000bf44674fda88d87816446f6f13.jpg/v1/fill/w_343,h_229,fp_0.50_0.50,q_90,enc_avif,quality_auto/72e60c_e02000bf44674fda88d87816446f6f13.webp)
[Eng] Gestalt and Undefinable Unity
Gestalt, choreographed by Jacky Yu and presented by E-side Dance Company, is a contemporary dance that aims to express the possibilities...
![[Eng] Tap Dance as Narrative Language – R&T (Rhythm & Tempo) Office Mad Man](https://static.wixstatic.com/media/72e60c_a772fae4c0974d27bc9a9b84efc264da.jpg/v1/fill/w_374,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/72e60c_a772fae4c0974d27bc9a9b84efc264da.webp)
![[Eng] Tap Dance as Narrative Language – R&T (Rhythm & Tempo) Office Mad Man](https://static.wixstatic.com/media/72e60c_a772fae4c0974d27bc9a9b84efc264da.jpg/v1/fill/w_343,h_229,fp_0.50_0.50,q_90,enc_avif,quality_auto/72e60c_a772fae4c0974d27bc9a9b84efc264da.webp)
[Eng] Tap Dance as Narrative Language – R&T (Rhythm & Tempo) Office Mad Man
“Why do people have to work five days a week? … Should we not seize the day to enjoy our lives? … Do you like your current job and...
![[中]「舞轉人生」— 甚麼造就了你?](https://static.wixstatic.com/media/72e60c_82291630656d452faa847389a9c2f7e5.jpg/v1/fill/w_374,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/72e60c_82291630656d452faa847389a9c2f7e5.webp)
![[中]「舞轉人生」— 甚麼造就了你?](https://static.wixstatic.com/media/72e60c_82291630656d452faa847389a9c2f7e5.jpg/v1/fill/w_343,h_229,fp_0.50_0.50,q_90,enc_avif,quality_auto/72e60c_82291630656d452faa847389a9c2f7e5.webp)
[中]「舞轉人生」— 甚麼造就了你?
「What's become of you?」意思是「甚麼造就了你?」比較起中文譯名《舞轉人生》來得更直接了當、不造作,正好與佛蘭明高舞蹈表現形式相同。西班牙佛蘭明高舞蹈在香港是較為冷門的舞種,今年第四十四屆香港藝術節為大家帶來有別於去年節目《星耀佛蘭明高》的傳統演繹,把佛...
![[中]《炫舞場》在呈現甚麼?](https://static.wixstatic.com/media/72e60c_5f79d69779394f36bd24827b8aa5d15b.jpg/v1/fill/w_374,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/72e60c_5f79d69779394f36bd24827b8aa5d15b.webp)
![[中]《炫舞場》在呈現甚麼?](https://static.wixstatic.com/media/72e60c_5f79d69779394f36bd24827b8aa5d15b.jpg/v1/fill/w_343,h_229,fp_0.50_0.50,q_90,enc_avif,quality_auto/72e60c_5f79d69779394f36bd24827b8aa5d15b.webp)
[中]《炫舞場》在呈現甚麼?
很多朋友看完香港藝術節的本地製作《炫舞場》後,不期然會將電影《狂舞派》來做比較,更有朋友認為,舞台劇版本的故事情節老套,描寫角色內心層面不夠豐富。個人認為,《狂舞派》其實與「為跳舞,你可以去到幾盡?」毫無關係,電影劇本最大的命題其實是「青春的傷痕不是用來給人恥笑的」。所以,...
![[Eng] Interview with Dr Alys Longley](https://static.wixstatic.com/media/72e60c_9272d76a6378454b99dd501f23264299.jpg/v1/fill/w_374,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/72e60c_9272d76a6378454b99dd501f23264299.webp)
![[Eng] Interview with Dr Alys Longley](https://static.wixstatic.com/media/72e60c_9272d76a6378454b99dd501f23264299.jpg/v1/fill/w_343,h_229,fp_0.50_0.50,q_90,enc_avif,quality_auto/72e60c_9272d76a6378454b99dd501f23264299.webp)
[Eng] Interview with Dr Alys Longley
1. During the discussion among Dr Alys Longley, Brenton Surgenor and dancers. Dancer, choreographer, writer, practice led researcher,...
![[Eng] Asia Pacific Dance Platform VIII](https://static.wixstatic.com/media/72e60c_6c79979f01bd47f8bf7d9b9de8243039.jpg/v1/fill/w_378,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/72e60c_6c79979f01bd47f8bf7d9b9de8243039.webp)
![[Eng] Asia Pacific Dance Platform VIII](https://static.wixstatic.com/media/72e60c_6c79979f01bd47f8bf7d9b9de8243039.jpg/v1/fill/w_343,h_227,fp_0.50_0.50,q_90,enc_avif,quality_auto/72e60c_6c79979f01bd47f8bf7d9b9de8243039.webp)
[Eng] Asia Pacific Dance Platform VIII
For this year’s Asia Pacific Dance Platform VIII, the Hong Kong Arts Festival brought two fairly minimalist works of dance together: The...
![[中] 盧偉力評《墨香》及《零次方》](https://static.wixstatic.com/media/72e60c_7f09ddbc9df243759d0c295e9f4a2798.jpg/v1/fill/w_374,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/72e60c_7f09ddbc9df243759d0c295e9f4a2798.webp)
![[中] 盧偉力評《墨香》及《零次方》](https://static.wixstatic.com/media/72e60c_7f09ddbc9df243759d0c295e9f4a2798.jpg/v1/fill/w_343,h_229,fp_0.50_0.50,q_90,enc_avif,quality_auto/72e60c_7f09ddbc9df243759d0c295e9f4a2798.webp)
[中] 盧偉力評《墨香》及《零次方》
天人合一,情感互通 – 說《墨香》 韓國國家舞蹈團的《墨香》,體現了韓國文化對傳統的尊重。一小時的演出,台上台下渾融一片,感念周游,心神飄蕩。我不大熟悉韓國傳統文化,對韓國舞蹈,也只看過韓劇《黃真伊》,講這位舞者歷盡無數磨難後,終於如乾枯的花朵落在盛水盤上,感悟、重開。為...
![[中] 以舞蹈表達,用文字反思-
《Preposition of Life》編舞與觀眾的對話](https://static.wixstatic.com/media/72e60c_5a92c7f0cb784aaf95b5bb6173cfa623.jpg/v1/fill/w_374,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/72e60c_5a92c7f0cb784aaf95b5bb6173cfa623.webp)
![[中] 以舞蹈表達,用文字反思-
《Preposition of Life》編舞與觀眾的對話](https://static.wixstatic.com/media/72e60c_5a92c7f0cb784aaf95b5bb6173cfa623.jpg/v1/fill/w_343,h_229,fp_0.50_0.50,q_90,enc_avif,quality_auto/72e60c_5a92c7f0cb784aaf95b5bb6173cfa623.webp)
[中] 以舞蹈表達,用文字反思- 《Preposition of Life》編舞與觀眾的對話
以言語表達不是顏堅輝(Joseph)的專長,那他如何與舞者溝通?舞蹈作品《Preposition of Life》的編舞Joseph這樣說﹕「我通常會與舞者捉住一些感覺去實踐(work),而當那種感覺令我有感,就會保留;如果無,就繼續找。」...



