![[中][ENG] 專訪中國國家芭蕾舞團馮英-跨越文化與傳統 Leaping Across Cultures and Conventions: An Interview with Feng Ying](https://static.wixstatic.com/media/b691b5_0b0c0926dead454fb25d49bfddaf4f44~mv2.jpg/v1/fill/w_167,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/b691b5_0b0c0926dead454fb25d49bfddaf4f44~mv2.webp)
![[中][ENG] 專訪中國國家芭蕾舞團馮英-跨越文化與傳統 Leaping Across Cultures and Conventions: An Interview with Feng Ying](https://static.wixstatic.com/media/b691b5_0b0c0926dead454fb25d49bfddaf4f44~mv2.jpg/v1/fill/w_343,h_515,fp_0.50_0.50,q_90,enc_avif,quality_auto/b691b5_0b0c0926dead454fb25d49bfddaf4f44~mv2.webp)
[中][ENG] 專訪中國國家芭蕾舞團馮英-跨越文化與傳統 Leaping Across Cultures and Conventions: An Interview with Feng Ying
文 Text: 尉瑋 Wei Wei 翻譯 Translation: Raven Ching 馮英於八十年代飾《天鵝湖》中的黑天鵝。Feng Ying as Black Swan in Swan Lake in the 1980s. 圖片由中芭提供 Photo provided by National Ballet of China 設計Design: Kay Leung, Stephen Chow@ARTZONE 今年6月初,中國國家芭蕾舞團(中芭)來港演出,帶來《吉賽爾》與選段集錦《芭蕾盛會》,為香港回歸二十週年紀念活動之一,演出迅速爆滿一票難求。 Early this June, in celebration of the 20th anniversary of Hong Kong’s handover, The National Ballet of China (NBC) visited Hong Kong with Giselle and a mixed bill, Ballet Gala. Tickets sold out quic
![[中][ENG] 楊君儒談香港舞蹈教育 Accidental Dancer, an interview with Frederick Yeung](https://static.wixstatic.com/media/b691b5_479bc7e0c3654935a65741c4faf1fd05~mv2.jpg/v1/fill/w_376,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/b691b5_479bc7e0c3654935a65741c4faf1fd05~mv2.webp)
![[中][ENG] 楊君儒談香港舞蹈教育 Accidental Dancer, an interview with Frederick Yeung](https://static.wixstatic.com/media/b691b5_479bc7e0c3654935a65741c4faf1fd05~mv2.jpg/v1/fill/w_343,h_228,fp_0.50_0.50,q_90,enc_avif,quality_auto/b691b5_479bc7e0c3654935a65741c4faf1fd05~mv2.webp)
[中][ENG] 楊君儒談香港舞蹈教育 Accidental Dancer, an interview with Frederick Yeung
文 Text: Ronnie Lam 翻譯 Translation: Heidi Ting 舞跡可尋 In Search of a Dance Story 楊君儒談香港舞蹈教育 Accidental Dancer, an interview with Frederick Yeung 楊君儒(前排右四)在香港學界舞蹈協會與教育局合辦的2016教師舞蹈課程(西方舞補充教材)任導師。 Frederick Yeung (Front row, 4th from the right) with participants in a teacher's course (Western Folk Dance) he taught co-organized by Hong Kong Schools Dance Association and the Education Bureau in 2016. 圖片由學校舞蹈節提供 Photo provided by SDF 學校舞蹈節於香港舞蹈年獎2017獲頒「傑出舞蹈教育」。學校舞蹈節已舉辦了53屆,多年來不少教育
![[中]《你我相對多麼遠》—「我」是如何被建構的?](https://static.wixstatic.com/media/b691b5_94c6b82ebd764effa210c9f7c13207df~mv2.jpg/v1/fill/w_376,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/b691b5_94c6b82ebd764effa210c9f7c13207df~mv2.webp)
![[中]《你我相對多麼遠》—「我」是如何被建構的?](https://static.wixstatic.com/media/b691b5_94c6b82ebd764effa210c9f7c13207df~mv2.jpg/v1/fill/w_343,h_228,fp_0.50_0.50,q_90,enc_avif,quality_auto/b691b5_94c6b82ebd764effa210c9f7c13207df~mv2.webp)
[中]《你我相對多麼遠》—「我」是如何被建構的?
舞者:(左起)伍美宜、李嘉雯 ;攝:李昊@June's production 演出場地拆走了座位,觀眾散落於不同角落。沒有固定的舞台,兩位舞者-李嘉雯與伍美宜穿梭於觀眾之間,與眾人寒暄幾句,時而從手提袋中拿出幾個便攜式喇叭放置地上,播放着各式各樣的話語:「她性格十分倔強。卻...


【攝訪】曾文通—人禪意地棲居地上
【香港舞蹈年獎】劇場即道場 採訪:謝嘉豪;拍攝、剪接:Ifan yu;《中華英雄》片段授權:香港舞蹈團 有一則經典的公案,達摩禪師見梁武帝,帝問師曰:「朕建寺寫經供僧無數,有多少功德?」師曰:「並無功德。」又問:「如何是真功德?」師答:「淨智妙圓,體自空寂」梁武帝當時應該...
![[ENG] Beyond Darkness - Butoh is a Life Journey](https://static.wixstatic.com/media/b691b5_68810b1e535c40908d33aebbd6151b1a~mv2.jpg/v1/fill/w_187,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/b691b5_68810b1e535c40908d33aebbd6151b1a~mv2.webp)
![[ENG] Beyond Darkness - Butoh is a Life Journey](https://static.wixstatic.com/media/b691b5_68810b1e535c40908d33aebbd6151b1a~mv2.jpg/v1/fill/w_343,h_458,fp_0.50_0.50,q_90,enc_avif,quality_auto/b691b5_68810b1e535c40908d33aebbd6151b1a~mv2.webp)
[ENG] Beyond Darkness - Butoh is a Life Journey
Yumiko Yoshioka (吉岡由美子); Photo provided by author As a Japanese Butoh choreographer, dancer, teacher, and art director, Yumiko Yoshioka...
![[ENG] Review - Why Not Kill Us All…](https://static.wixstatic.com/media/b691b5_36202086352044bc8994d7aeba21d72e~mv2.png/v1/fill/w_385,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/b691b5_36202086352044bc8994d7aeba21d72e~mv2.webp)
![[ENG] Review - Why Not Kill Us All…](https://static.wixstatic.com/media/b691b5_36202086352044bc8994d7aeba21d72e~mv2.png/v1/fill/w_343,h_223,fp_0.50_0.50,q_95,enc_avif,quality_auto/b691b5_36202086352044bc8994d7aeba21d72e~mv2.webp)
[ENG] Review - Why Not Kill Us All…
Photo: Meron Why Not Kill Us All… is Bruce Wong’s first full length choreography. Wong is a veteran dancer and a skilled practitioner of...
![[中] 沙啞的叫喊是烏鴉—評CCDC《恐·集》](https://static.wixstatic.com/media/b691b5_d364c78e288841c7a919be18e1eb6925~mv2.png/v1/fill/w_376,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/b691b5_d364c78e288841c7a919be18e1eb6925~mv2.webp)
![[中] 沙啞的叫喊是烏鴉—評CCDC《恐·集》](https://static.wixstatic.com/media/b691b5_d364c78e288841c7a919be18e1eb6925~mv2.png/v1/fill/w_343,h_228,fp_0.50_0.50,q_95,enc_avif,quality_auto/b691b5_d364c78e288841c7a919be18e1eb6925~mv2.webp)
[中] 沙啞的叫喊是烏鴉—評CCDC《恐·集》
攝:Mark Lam 《恐·集》是CCDC舞者黃振邦的首部長篇作品。 藉電影《一代宗師》中將武學分為「見自己、見天地、見眾生」的概念,他將自己的新作《恐·集》定位於「見天地」的階段。《恐·集》的英文題目是《Why Not Kill Us...
![[中] 馴暴的修行 — 談黃振邦舞作《恐‧集》](https://static.wixstatic.com/media/b691b5_c9d1d41c24a8411595af9fa56eacaad6~mv2.png/v1/fill/w_376,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/b691b5_c9d1d41c24a8411595af9fa56eacaad6~mv2.webp)
![[中] 馴暴的修行 — 談黃振邦舞作《恐‧集》](https://static.wixstatic.com/media/b691b5_c9d1d41c24a8411595af9fa56eacaad6~mv2.png/v1/fill/w_343,h_228,fp_0.50_0.50,q_95,enc_avif,quality_auto/b691b5_c9d1d41c24a8411595af9fa56eacaad6~mv2.webp)
[中] 馴暴的修行 — 談黃振邦舞作《恐‧集》
圖:Terence Lau 看黃振邦為城市當代舞蹈團編的舞作《恐‧集》首演的前四天,電視螢幕傳來大新聞,在英國曼徹斯特市體育館,於當地時間22時33分發生了獨狼自殺式恐怖襲擊,致使23人在爆炸中身亡,超過100人受傷。 恐懼是暴力的後果。亦有人說,恐懼是暴力的根源。這惱人的...
![[ENG] MUSIC AND DANCE: INDEPENDENCE, INTERDEPENDENCE, AND DEPENDENCE](https://static.wixstatic.com/media/b691b5_4dd3432b33614a678cf91dda7b733877~mv2.png/v1/fill/w_378,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/b691b5_4dd3432b33614a678cf91dda7b733877~mv2.webp)
![[ENG] MUSIC AND DANCE: INDEPENDENCE, INTERDEPENDENCE, AND DEPENDENCE](https://static.wixstatic.com/media/b691b5_4dd3432b33614a678cf91dda7b733877~mv2.png/v1/fill/w_343,h_227,fp_0.50_0.50,q_95,enc_avif,quality_auto/b691b5_4dd3432b33614a678cf91dda7b733877~mv2.webp)
[ENG] MUSIC AND DANCE: INDEPENDENCE, INTERDEPENDENCE, AND DEPENDENCE
The Lyric Theatre Complex, the main dance house of the West Kowloon Cultural Authority (WKCDA), with its three theatres of 1450, 600, and...
![[中] 尋找快樂的森林—陳頴業的《大娛大慾》](https://static.wixstatic.com/media/b691b5_1d998acc8319476c8117b9d92160dd09~mv2_d_4446_2964_s_4_2.jpg/v1/fill/w_374,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/b691b5_1d998acc8319476c8117b9d92160dd09~mv2_d_4446_2964_s_4_2.webp)
![[中] 尋找快樂的森林—陳頴業的《大娛大慾》](https://static.wixstatic.com/media/b691b5_1d998acc8319476c8117b9d92160dd09~mv2_d_4446_2964_s_4_2.jpg/v1/fill/w_343,h_229,fp_0.50_0.50,q_90,enc_avif,quality_auto/b691b5_1d998acc8319476c8117b9d92160dd09~mv2_d_4446_2964_s_4_2.webp)
[中] 尋找快樂的森林—陳頴業的《大娛大慾》
中國人最講究「排場」。無論是喜宴、百日宴、英雄宴,還是家中有一件小喜訊,中國人也喜歡大排筵席,大魚大肉慶祝一番。可是,二十一世紀的香港總是急促忙碌,香港人忙得連聚首一堂的時間也沒有,快樂又從何來?大魚大肉又何以變成了《大娛大慾》?...

