![[中]《舞鬥》實驗中有驚喜](https://static.wixstatic.com/media/b691b5_8531ac0507c140bd9835dcab46d86b70~mv2.png/v1/fill/w_374,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/b691b5_8531ac0507c140bd9835dcab46d86b70~mv2.webp)
![[中]《舞鬥》實驗中有驚喜](https://static.wixstatic.com/media/b691b5_8531ac0507c140bd9835dcab46d86b70~mv2.png/v1/fill/w_343,h_229,fp_0.50_0.50,q_95,enc_avif,quality_auto/b691b5_8531ac0507c140bd9835dcab46d86b70~mv2.webp)
[中]《舞鬥》實驗中有驚喜
今屆香港藝術節「香港賽馬會當代舞蹈平台」系列的節目三《舞鬥》,共有七位編舞。雖然節目一及二今年已走了不同的方向,但《舞鬥》形式依然是各個編舞自由發揮,創作一個十五分鐘以內的短篇。與往屆相比,今屆編舞勇於實驗,而且出來的七個作品取向都相當不同。 《並不只有我》音響設計/...


Creative Meeting Point: Hong Kong × Finland
The signing Ceremony of Memorandum of Understanding on Dance Exchange and collaboration between Hong Kong and Finland. Photo provided by...
![[ENG] When the Refrigerator Stole the Show (Almost)](https://static.wixstatic.com/media/b691b5_3788ab6e23d34e71b9dcb9e892b0b22d~mv2.png/v1/fill/w_378,h_250,fp_0.50_0.50,lg_1,q_35,blur_30,enc_avif,quality_auto/b691b5_3788ab6e23d34e71b9dcb9e892b0b22d~mv2.webp)
![[ENG] When the Refrigerator Stole the Show (Almost)](https://static.wixstatic.com/media/b691b5_3788ab6e23d34e71b9dcb9e892b0b22d~mv2.png/v1/fill/w_304,h_201,fp_0.50_0.50,q_95,enc_avif,quality_auto/b691b5_3788ab6e23d34e71b9dcb9e892b0b22d~mv2.webp)
[ENG] When the Refrigerator Stole the Show (Almost)
The Hong Kong Arts Festival Asia Pacific Dance Platform IX was an evening that raised the frequently asked question about what kind of...
![[ENG] Bavarian State Ballet — La Bayadere](https://static.wixstatic.com/media/b691b5_3ff3059b22454067b594a343d0b6dd97~mv2.png/v1/fill/w_395,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/b691b5_3ff3059b22454067b594a343d0b6dd97~mv2.webp)
![[ENG] Bavarian State Ballet — La Bayadere](https://static.wixstatic.com/media/b691b5_3ff3059b22454067b594a343d0b6dd97~mv2.png/v1/fill/w_343,h_217,fp_0.50_0.50,q_95,enc_avif,quality_auto/b691b5_3ff3059b22454067b594a343d0b6dd97~mv2.webp)
[ENG] Bavarian State Ballet — La Bayadere
Dancer: Ivy Amista, Osiel Gouneo Photo: Wilfried Hösl Despite or maybe because of its seeming absurdity, La Bayadere, in both its literal (libretto) and figurative incantations, has often been political theatre. As Christina Ezrahi recounts in Swans of the Kremlin, the Soviets took issue with the Kingdom of the Shades scene – soulless, bourgeois formalism according to the politburo. If once the Shades scene was an act of subversion, today its depictions of the orient have com
![[中]《彩雲南現》重現傳統美](https://static.wixstatic.com/media/b691b5_536613f7a5af441a83f0bba068bd1442~mv2.png/v1/fill/w_390,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/b691b5_536613f7a5af441a83f0bba068bd1442~mv2.webp)
![[中]《彩雲南現》重現傳統美](https://static.wixstatic.com/media/b691b5_536613f7a5af441a83f0bba068bd1442~mv2.png/v1/fill/w_343,h_220,fp_0.50_0.50,q_95,enc_avif,quality_auto/b691b5_536613f7a5af441a83f0bba068bd1442~mv2.webp)
[中]《彩雲南現》重現傳統美
《手舞足蹈心狂跳》編導:孫躍頡;舞者:(左)何超亞、(右)藍彥怡。攝:S2 Production 由香港舞蹈團主辦,聯同雲南藝術學院製作的《彩雲南現》,挑選國內作品再搬演香港,其中一些作品亦已創作了多年。節目選演了十三個作品,平均每個作品約七至十分鐘。既非新作,且每個作品的...
![[ENG] Arch 8 - Tetris](https://static.wixstatic.com/media/b691b5_2330b18007e94d2cb2187ac93efb8656~mv2.jpg/v1/fill/w_383,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/b691b5_2330b18007e94d2cb2187ac93efb8656~mv2.webp)
![[ENG] Arch 8 - Tetris](https://static.wixstatic.com/media/b691b5_2330b18007e94d2cb2187ac93efb8656~mv2.jpg/v1/fill/w_343,h_224,fp_0.50_0.50,q_90,enc_avif,quality_auto/b691b5_2330b18007e94d2cb2187ac93efb8656~mv2.webp)
[ENG] Arch 8 - Tetris
Photo: Robert Benschop Sometimes an impeccably joyful and engaging yet simple idea or rationale can spring from a dance show. Netherlands...
![[ENG] Hong Kong Arts Festival](https://static.wixstatic.com/media/b691b5_fc462306c19040d4b23f9ad212c7a257~mv2.png/v1/fill/w_354,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/b691b5_fc462306c19040d4b23f9ad212c7a257~mv2.webp)
![[ENG] Hong Kong Arts Festival](https://static.wixstatic.com/media/b691b5_fc462306c19040d4b23f9ad212c7a257~mv2.png/v1/fill/w_343,h_242,fp_0.50_0.50,q_95,enc_avif,quality_auto/b691b5_fc462306c19040d4b23f9ad212c7a257~mv2.webp)
[ENG] Hong Kong Arts Festival
Allegro Brillante, Choreographer: George Balanchine; Dancers: Carl van Godtsenhoven, Flemming Puthenpurayil, Francesco Leonep Photo:...
![[中] 淺評《明天你還愛我嗎?》(香港篇)](https://static.wixstatic.com/media/b691b5_a33ad64c34814f5a99d0e3469390dc0b~mv2.png/v1/fill/w_368,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/b691b5_a33ad64c34814f5a99d0e3469390dc0b~mv2.webp)
![[中] 淺評《明天你還愛我嗎?》(香港篇)](https://static.wixstatic.com/media/b691b5_a33ad64c34814f5a99d0e3469390dc0b~mv2.png/v1/fill/w_343,h_233,fp_0.50_0.50,q_95,enc_avif,quality_auto/b691b5_a33ad64c34814f5a99d0e3469390dc0b~mv2.webp)
[中] 淺評《明天你還愛我嗎?》(香港篇)
攝: Henry Wong @ S2 Production. 雖然觀賞完畢整個演出,筆者仍然想不到其題名與舞蹈演出的內容如何對應,但《明天你還愛我嗎?》(香港篇)仍是耳目一新的創作,它充滿了驚喜和活力,而且質樸得令人感動。...
![[中][ENG] 踢躂常新 Dorrance & Young: Keeping It Fresh](https://static.wixstatic.com/media/b691b5_9e617a39bd2145f199064a8d349cfdd7~mv2.png/v1/fill/w_376,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/b691b5_9e617a39bd2145f199064a8d349cfdd7~mv2.webp)
![[中][ENG] 踢躂常新 Dorrance & Young: Keeping It Fresh](https://static.wixstatic.com/media/b691b5_9e617a39bd2145f199064a8d349cfdd7~mv2.png/v1/fill/w_343,h_228,fp_0.50_0.50,q_95,enc_avif,quality_auto/b691b5_9e617a39bd2145f199064a8d349cfdd7~mv2.webp)
[中][ENG] 踢躂常新 Dorrance & Young: Keeping It Fresh
文 Text: 白朗唐 Tom Brown 翻譯 Translation: Raven Ching Works & Process Rotunda Project: Michelle Dorrance with Nicholas Van Young, 16 February 2017, Solomon R. Guggenheim Museum Rotunda. Photo: Matthew Murphy 米雪﹒多蘭斯 當你的雙親分別是前艾略特﹒費爾德美國舞團舞蹈員兼著名教堂山芭蕾舞學校的創辦人蜜莉絲﹒加里﹒多蘭斯(M’Liss Gary Dorrance),以及獲推選而名列美國國家足球名人堂、帶領美國女足國家隊奪得1991年世界盃的教練安遜﹒多蘭斯(Anson Dorrance),你該如何擺脫他們的光環呢?米雪﹒多蘭斯用雙腳踢與踏。2011年,她憑著為自己的舞團—多蘭斯舞團首個作品《Remember Jimmy》及《Three to One》取下的貝絲獎,助她綻露光芒。獎項表揚她「衝破我們對踏躂舞的想像」。引文《紐約時報》恰切的描述:「自30年
![[中] 困而不頓、體承意志—《So Low》的生命論述](https://static.wixstatic.com/media/b691b5_74b1cff948f948f683e2736d6b3a7ec0~mv2.png/v1/fill/w_440,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/b691b5_74b1cff948f948f683e2736d6b3a7ec0~mv2.webp)
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[中] 困而不頓、體承意志—《So Low》的生命論述
近幾年,香港舞蹈藝術水平有所提高,其中主要的標誌,在於有一定數量高水平的舞者、編舞者,能夠在舞蹈作品中形像地呈現自己的感念、體會,動人地論述自己對生命對世界的看法,並誘動觀眾聯想人生與藝術的種種。 這可喜的現象,藝術生態上,是愈來愈多香港舞蹈工作者銳意探索舞蹈劇場的可能性。...

