[Eng] On Two Work-in-progress Presentations with Bodies, Lights, and Objects
Dancers and companies in Hong Kong are always busy filling up their schedules as much as possible in order to make ends meet, having time...
[中] 現代舞《係咁跳!》──從「睇唔明」中自我探索
法國五月主辦的《係咁跳!》(Tel Qul!) 是杜爾國立舞蹈中心藝術總監湯馬‧利布恆(Thomas Lebrun) 探討拒絕與接受、差異與融合和親密與衝特的作品。舞者以舞蹈、遊戲、hip hop及劇場的幽默和日常生活的鎖碎事帶出接納(acceptance)的價值。...
[Eng] A reportage on New Works Forum: Screendance (20 July to 1 Aug 2015)
Nineteen participants, gathering dance artists and filmmakers across Hong Kong, China and Taiwan participated in this inaugural New Works...
[Eng] Hong Kong Ballet’s New Pinocchio
The story of Pinocchio is not often used by ballet companies around the world as a subject for ballet. So it’s very ambitious and...
[中] 舞蹈 x 影像:跨界創作的不同可能
舞蹈 + 影像 vs. 舞蹈 x 影像 可能有人認為「舞蹈影像」(screendance / dance film) 只是純粹把舞蹈演出拍攝記錄,又或者在影像作品中加入舞蹈動作的元素。我不敢完全否定以上的說法,畢竟影像中的舞蹈 (dance in film) 和拍攝舞蹈...
[中]《純粹與繁複》——看動藝兩個演出有感
九月的動藝非常忙碌,月初在白盒子的小型演出《變》才落幕,月中另一個演出《交界記憶》就在北潭涌渡假營的泳池登場。雖說製作規模一小一大,但兩個演出可容納的觀眾也不多,亦各有可觀之處。先說動藝白盒子上演的《變》,本以為馮誠健編舞的作品一如既往熱情澎湃,舞者的動作幅度很大,然而《變...